Showing posts with label Korra. Show all posts
Showing posts with label Korra. Show all posts

Monday, December 22, 2014

Moments of Korra



The Legend of Korra has ended. I don’t expect to see a lot of coverage and eulogizing on many of the mainstream sites I frequent, which I guess means I have to take up that task. Often, such eulogizing takes the form of highlighted episodes, but that approach doesn’t strike me as particularly satisfactory for Korra’s heavily serialized, seasonal shifting style. So instead, I’m going to highlight particular moments I feel capture a character, attitude, execution, storyline or theme that made the show so great.

Wednesday, January 1, 2014

Watched Stuff in 2013



In the days since I began my YLT Project, I’ve been asked with some regularity about my current viewing habits. Sometimes, I even get asked what my top five shows are in a given year, and lover of sharing that I am, I share. I’ll even share them here! After all, as many problems as lists can have, it’s always a good idea to inventory yourself.

Thursday, December 26, 2013

On Youth, Fascism, and Enlightenment



Subtext can be a tricky, subtle beast. I’ve looked back on my own fictional work and been surprised to find, say, what had been envisioned as a thunderous sci-fi romp wherein humankind was not top galactic dog also happened to look exceptionally critical of the UN if you squinted hard enough. I like the UN! So I understand how, in the push to bank some Harry Potter and Twilight bucks by making something similar, sloppily conceived YA serieses end up with themes and undertones not necessarily intended. Still, though a strange alchemy of themes, tropes, and archetypes, lots of these lesser YA series end up feeling, well, a bit fascist. Specifically, a peculiar, youthful sub-thought I’d call Nerd Fascism, a strange mixture of young alienation, entitlement, cliquiness, with archetypal monomyth elements of the special birth or hidden parentage blended in, creating something that can feel thematically distasteful—a sense that the work believes some people are born better than others. But, in the vastness of culture oriented toward the young, not all special births are equal, and some handle their themes better than others.